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A Love Letter to Emerald City Children's Theatre

1/4/2020

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Emerald City Children’s Theatre is the largest theatre arts education program in Chicago. And two weeks ago, they announced they will be closing their doors at the end of January. 

We’re heartbroken.

We’re heartbroken for the Chicago Public Schools students and teachers who will miss out on Emerald City’s “One Fund,” the organization’s literacy program.

We’re heartbroken for the families and children who won’t get to experience the beautiful productions they might have seen at Emerald City.
Emerald City Children's Theatre's final production, "Corduroy," closes tomorrow. || Photo: Austin D. Oie
We’re heartbroken for the teaching artists, performers, and administrators who have thought of Emerald City Children’s Theatre as an artistic home throughout its 24 years in operation.

​We’re also grateful.

We’re grateful to the founders, to all of the administrators from 1996 up to 2020, to the performers and to the teaching artists and to every member of the Emerald City Children’s Theatre family that brightened a child’s day, opened a child’s eyes, or paved a child’s path.

We’re so grateful to Emerald City for the work they’ve done, the attitudes they’ve shaped, and the future they’ve made possible for children and for children’s theatre.

Through their Chicago theatre camps, productions, classes, and community engagement programs, Emerald City Children’s Theatre serves over 60,000 students every. single. year. The loss of this organization is a great one. It’s a loss that will continue to ripple through students, parents, teachers, teaching artists, performers, administrators, and community members long after the doors close.

Emerald City was founded by Karen and Alyn Cardarelli in 1996, the same year I performed in my first community theatre production at Theatre for Young Audiences in Sheboygan, WI. I was ten years old. I had no idea that “Theatre for Young Audiences” was a whole movement, not just the name of our local children’s theatre. I had no idea that in Chicago, two amazing people had just birthed a company that would help to shape my life and my career.

​Even before Cassandra and I moved to Chicago in 2010, Emerald City was on both of our lists of teams we’d love to be part of. They had a reputation for producing great theatre that respected the intelligent minds and artistic hearts of children. Their cleanly-designed, brightly-colored, and lively-patterned sets, props, and costumes demonstrated a high production value. Their attention to artistic detail showed that their team cared about the experience of their young audiences just as much as Steppenwolf, The Goodman, and Lookingglass did their adult counterparts.
In 2013, Emerald City Children’s Theatre made national headlines when under the Artistic Direction of Ernie Nolan they opened the first Theatre for the Very Young (TVY) venue in the United States. The short, “creative play” performances given in the new “Little Theatre” allowed kids ages 0-4 to experience the magic of theatre free from the restraints of a traditional play in a traditional theatre setting—no hushing or staying trapped in a seat necessary. The creation of this special space is just one example of how Emerald City Children’s Theatre has forged the way for theatre arts education in Chicago and across the United States.
The Little Theatre, as pictured in the 2013 American Theatre write-up. || Photo: Nate Estenson
As Cassandra and I have built Compass Creative Dramatics and developed our summer theatre camp programming, we’ve been fortunate to do so within the Chicago children’s theatre community--a community that would not be as vibrant or as well-rounded without the last 24 years of Emerald City’s cornerstone organization. We’ve trained teaching artists who have gone to work with Emerald City as well as the other way around, and we’ve worked as performers and administrators alongside members of the Emerald City administration over the nearly ten years we’ve lived in Chicago.
In fact, the very first staged reading I was part of when I moved here back in 2010 was directed by Jacqueline Stone, who at the time was the Emerald City Children’s Theatre Education Director.

​Two years later, Jacque directed Cassandra and Chad Bay (Compass Creative Dramatics Art Director) in a production at 20% Theatre Chicago.

She went on to become Emerald City’s Artistic Director in February 2016.
Jacqueline Stone with her Associate Artistic Director Jamal Howard || Photo: Austin D. Oie
Cassandra and I are hurting for the Emerald City administrative team. We know what it is to pour your heart and your energy (and, honestly, sometimes your tears) into an organization, and we can imagine the devastation of closing your doors. Of knowing that it is children who are being left behind.

We know how life-altering children’s theatre work can be. Participating in children’s theatre as a preteen and a teenager gave me my “safe space.” And during our time offering theatre camps at Compass Creative Dramatics, we’ve been approached by so many students and parents who share their struggles and their gratitude for this programming.

As co-founders ourselves, we feel especially for Karen and Alyn Cardarelli, whose dedication and determination brought Emerald City Children’s Theatre to life. Without their vision and determination, Emerald City could not have grown to serve so many students across the 24 years they have been producing plays, hosting theatre camps, and teaching classes in Chicago.

Emerald City’s winter theatre camp finished up yesterday. Their final production, Corduroy, closes tomorrow, Sunday, January 5th. Our hearts are with the Emerald City team today and over the next few weeks as they wrap up the great work they’ve accomplished.

To the Emerald City team, both past and present: thank you. Thank you for your bravery, your tenacity, and your dedication. Thank you for your warmth and for the growth you’ve enabled in the Chicago children’s theatre community.

We will do our best to work together with the other Chicago children’s theatres to fill the enormous shoes you’ve left behind.

Because the work you did, and the people you served, and the greatness you achieved—they matter.

Thank you for everything.

- Cathlyn, Cassandra, and the whole Compass family

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Twenty Questions with Artistic Director Wyatt Kent

1/3/2020

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Welcome to our TWENTY QUESTIONS series. Here, team members from administrators to designers to teachers answer questions about themselves. Have a question you want us to add to the list? Leave a comment!

About Wyatt

Before joining the administrative team as Artistic Director, Wyatt Kent toured with us as Uncle Henry and The Wizard in The Wizard of Oz, Mr. Orvendellis in The Jumping Jacks & The Beanstalk, and Starkey the Pirate in Peter Pan. He's delighted by the dancing cows in The Jumping Jacks & The Beanstalk (really, who wouldn't be?!) and says that right now, Jacks is probably his favorite Compass play.

Wyatt and his tour partner Jill with whale skeletons at the Whaling Museum in New Bedford, MA!

Wyatt's Twenty Questions

#1 What kinds of teams did you belong to when you were growing up?
I was trotted along in a number of youth sport leagues when I was elementary aged (soccer, basketball, baseball) but none of it really stuck. By the time I was out of high school I wished it had. I really enjoy recreational team sports, it turns out! In high school I did lots of non-athletic activities but being a part of the speech team was my biggest priority. "Duo" (basically a two-person, 10-minute play) and poetry were my main events.

#2 Soup or salad?
At home, soup. In a restaurant, usually salad.

#3 What's one play that kids should check out:
Where Have All The Lightning Bugs Gone? by Louis E. Catron. It was a play that my mom introduced me to when I was young, I think she did it in high school. It is a one act play that for some reason stuck with me for a long time.

#4 Top five favorite snacks:
Cheez-its
Chips and fresh guacamole
Potato chips of all sorts
A really good apple
Snack stick from Gene’s Sausage Shop

#5 Villain or hero?
As much as I want to be cool and say villain, hero. 

#6 What’s something you do to relax?
I enjoy playing board games! (and enjoy figuring out the rules to board games almost as much . . .)

#7 What’s your favorite kind of cookie? How do you prefer to eat it?
If I had to choose one, ginger snaps. Just eat them! 

#8 What’s your favorite thing to do in Chicago in the winter?
Complain about "dibs" with friends.
. . .
No, in seriousness I love walking around busy areas during the holiday season. I enjoy the hustle and bustle (as long as I’m not trying to actually accomplish something) as well as the lights of the city. Chicago at night can be really special.

#9 Why do you live in Chicago?
The theatre is the short answer! The longer answer is: I like being within a day’s drive of my family and I think Chicago is a comfortable place to live. I love exploring and I have yet to run out of new things to see and experience. 

#10 Tell us about your pet.
Perry the Rescue Terrier! He’s a darling dog full of personality that my girlfriend got as a senior dog from PAWS. It’s been great to watch him grow less and less fearful as he has had a stable environment over the last year. He even likes to play with other dogs now!
Oh my goodness, y'all. Look at Perry.
​#11 What would you do if someone gave you a million dollars, no strings?
I’d like to design out a dream theatre space and use the money to establish a resident company.* 

*Usually, theatre companies hire different artists for each show they do. They might work with the same actor, designer, or other artist a bunch of times over the years, but they hire the artists for one show at a time, or a couple of shows at a time. Usually. With a resident company, the theatre uses (mostly) the same artists throughout all of their shows. That doesn't necessarily mean that there are parts for all of the resident actors in every show, but usually the shows get picked specifically for certain members of the resident acting company. Resident companies used to be pretty popular, but they're expensive to maintain, so they're pretty rare now.

#12 What’s the household chore that you would avoid forever if you could?
Taking out the trash is fine. You know what I hate doing? Putting a new trash bag in after you take the old one out. I have no idea why, I just don’t like it. 

#13 How do you like to spend a rainy day?
Avoiding getting wet. I hate having wet feet and no matter what, I always feel unprepared for it. A rainy day where I have nothing to do and nowhere to go is great, but they never seem to get scheduled that way.

#14 Morning person or nightowl?
Night, but for certain kind of projects I’ve found sleeping on it and resolving things in the morning to work well for me. ​

#15 What’s your favorite day of the week when you are teaching a performance residency?
I really like Tuesdays. They are frenetic but structured, everyone gets to be introduced to what their piece of the play is going to look like, and I love getting to know all the actors again in the context of their character groups.
Wyatt and his tour partner Cathlyn practice their game faces for the Dock Spiders minor league baseball game they attended in Fon Du Lac, WI
#16 What’s your favorite holiday? How do you celebrate it?
I like New Year’s Eve. I haven’t always done the best job of it, but I like to try to either be in a new place or do some sort of new event to ring in the New Year. I think it is fun to be a part of the celebration in a new city. People are in a good mood, and the next day is usually sleepy and relaxed.

#17 What did you want to be when you grew up?
When I was young I wanted to be a teacher! I really enjoyed school and told my teachers that I wanted to work in the school when I grew up.

#18 Cake or pie?
Pie!​

#19 What’s your favorite kids’ movie?
The Iron Giant. Does that count as a kids’ movie? (note: we think so!) It’s just a beautiful movie with an incredibly heartfelt message. I cry pretty much every time.

#20 Tell us all of the towns you’ve lived in.
Orlando, FL; Auburn, NE; Scottsbluff, NE; Ogallala, NE; Columbus, NE; Lincoln, NE; Tempe, AZ; and Chicago, IL.

Keep an eye out for more from our TWENTY QUESTIONS series. Questions vary a bit each interview, so if you have a question you want us to add to the list, leave a comment!
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Introducing The Barbara Kenyon Creativity & Bravery Scholarship

12/20/2019

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This year, for my birthday, I want to introduce you to someone.

Donate to the Barbara Kenyon Scholarship Here
My penpal sent this to me.

​From the time I was old enough to write a letter, I had a dedicated penpal. 

She. was. the. coolest. 

She lived in San Diego, right near the ocean. She loved animals and science. She had beautiful, loopy cursive writing that was hard to read and made me squint and it danced with phrases like “your good newsy note,” “a wreath and my little tree,” and the shortened “tho’.”

She was my Great Aunt Barbara.

Aunt Barbara and I exchanged letters a few times a year. I sent her school photos and she sent me newspaper clippings about the pandas at The San Diego Zoo. When I began doing theatre in sixth grade, she started sending me clippings about acting, too: children’s theatre productions, the local professional theatre scene, and the struggles of union actors in the small San Diego market.

In the late 2000’s my Aunt Marji gave Great Aunt Barbara an “email machine,” but mostly Barbara and I continued to write. 

One of Aunt Barbara's letters, remembering the birthday skis in her loopy cursive writing.

In her letters, she always told me how proud she was of the work I was doing in theatre and made sure I knew she enjoyed hearing from me. “I’ve just reread your letters from June on,” she wrote one December, “You write great letters!” 
​
She never missed sending me a birthday card, always with a long “newsy” note, and often including a memory of my birthday in the early 1990s that we spent together. “I’ll always remember the year I was in Sheboygan for the big event, and you were getting your first skis. You had to get out and try them on right that moment. Such fun!”​

Cathlyn opens her skis. That's Auntie Barbara over on the right.

​In the letter that accompanied my 2010 birthday card, she noted that there would be a total lunar eclipse on my birthday—"quite a celebration!” 

She was quite a lady. 

When Aunt Barbara passed away in 2012, her generosity enabled me to begin Compass Creative Dramatics with Cassandra. Barbara's legacy has allowed us to serve thousands of children across the United States.

Aunt Barbara would have been so proud of the work we’ve accomplished. She valued education—she received her bachelor’s degree in 1939 when only 3 women out of 100 graduated from college, and she went on to get a teaching certificate, too.

She worked in Washington, DC throughout World War II. Later, after she had returned to California, she worked with two different school districts and then with underserved teens, assisting them with job placement. When that program ended in 1971, she again turned her attention to serving children: this time, by organizing an outpatient clinic for kids with serious diseases.

She was a fantastic lady. 

During her lifetime, she changed the world around her. I like to think that through her gift to me after her death, she continues to do so.

To that end, I’m honored to announce our official new scholarship:

The Barbara Kenyon Creativity & Bravery Scholarship

Throughout our time with Compass Creative Dramatics, we've made it a personal mission to not let any child's family finances get in the way of participating in theatre camp. Every summer, kids in Bedford, IN, Sheboygan County, WI, and Chicago attend camp for free because that's important to me and Cassandra. We want all kids to have the opportunity to stretch their creativity and bravery muscles through theatre if they want to.

Auntie Barbara would have wanted it that way, too.

I hope you’ll help support my Aunt Barbara’s dedication to children and education by making a pledge to help a child attend theatre camp.
Click here for donation details
  • $300 sends a child to camp for a week

  • $60 covers one day of a child's theatre camp

  • $20 sponsors their camp t-shirt, and
    ​
  • Any amount makes a difference
As I move on from Compass Creative Dramatics this month, my heart is warmed knowing that Aunt Barbara and I will both remain a part of the Compass family, continuing to stretch kids' creativity and bravery muscles, even from a distance.

Thank you.

With so much love for all of our Compass family, including you--
Donate now
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New Year, New Announcements, New Team!

12/18/2019

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​Seven and a half years ago, Cassandra and I began imagining a traveling children’s theatre: we wrote a play, held table readings, met with knowledgeable colleagues who could advise us, and began laying the foundations for Compass Creative Dramatics.

The following summer, we hosted our first series of performance programs with students in Illinois, Indiana, and Chicago.

Fast forward to 2019, and we’ve held programs in 50+ communities in 18 states. We’ve served children and their families from Texas to Minnesota to Florida to Maine.

​I have been, and will always be, proud of the work that we have accomplished in just seven years. And today, I’m proud to move on and leave Compass Creative Dramatics in Cassandra’s hands. Cassandra’s passion, dedication, and perception will continue to drive the Compass Creative Dramatics team forward, as she has ably done for all of us over the last seven years. Compass Creative Dramatics and our relationships with our communities across the country will continue to flourish under her leadership.
​​Because Cassandra and I both “wear many hats” at Compass, we’ve worked over the last twelve months to assemble the administrative team that will lead Compass Creative Dramatics into a new decade:
  • Wyatt Kent, Artistic Director
  • AJ Morrison, Education Director
  • Sydney Ray, Assistant Education Director
  • Johanna Jackson-Whitman, Residency Coordinator
  • Audie Deinlein, Office Manager
  • Jill Matel, Finance Manager
  • Macy Hernandez, Social Media Manager
  • Sonia Goldberg, Sales and Marketing Coordinator
  • Emma Noelle Morton, Programs Associate
  • Chad Bay, Art Director
​And of course Cassandra Quinn, Executive Director and owner.

​Over the first few weeks of 2020, Macy will be introducing you to each of the team members. Keep your eyes on our blog and social media for interviews and photos! In the meantime, you can check out the team’s bios on our staff page.

And I might still show up here and there as a guest blogger or a substitute teacher. Who knows? ;)
​Friends, I’ve learned so much throughout my time with Compass—about running a business, about selling a service, about working with a team, and about myself. When Cassandra and I started Compass in 2012, I was 25 years old. Cassandra and I have, in a way, grown up with Compass. We’ve certainly both stretched our creativity and bravery muscles and are so much stronger than we were when we met in 2008. I’m so grateful for Cassandra’s friendship, patience, love, and leadership throughout our adventure. 

I’m officially hanging up my Compass hat today, but it’s my birthday on Friday and this year, for my birthday, I want you to meet someone. 

So hang tight--I’ll be posting one last time on Friday with an introduction I want to be sure you see.

After that, I’m onto the next adventure. (eek!)

I'll miss Compass and all of you! Meeting our students and their families has been an incredible joy over the last seven years. If you want to keep up with me, you can find me at www.instagram.com/borrowedcats

With love,
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3 Reasons Theatre Class Makes the Perfect Holiday Gift

11/11/2019

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By Cathlyn Melvin          ||          Holidays, Arts Scene
Did I say perfect?

 Yes. Yes, I did. And here are just three (of many more**) reasons I believe that's true.

1) The gift of experience doesn’t clutter your kids’ bedrooms.

You won't have to Marie Kondo this gift later on!
Impairs creative thinking?! Oh, no! Get that kid to theatre camp, stat!
Clutter messes with our brains, man. Too many things makes it hard for your kids (and you) to keep things tidy—and that stresses everybody out! Clutter causes sensory overload. We stress about it because we can't think clearly when we're dealing with it. It can even affect our ability to think and be creative. That's bad news for kids' developing brains. 

Also, apparently you'd almost cut your housework in half just by getting rid of household clutter. Whaaaaaat.


So, yeah. Let's all request our friends and families to give the gift of experience instead of toys and gadgets this year.

​
In her article “18 Excellent Gifts for Kids That Aren't Even Toys,” Rachel Jones, mother of 6, ranks “Classes” as her number one non-toy gift.

We at Compass Creative Dramatics have to agree.

Check out this post on becomingminimalist.com for even more reasons that trading in a toy for an experience can benefit your kids.


2) Giving your children the gift of experience shows you pay attention to what your kids like.

Teamwork makes the dream work, y'all.
Does your preschooler run around the house pretending to be Buzz Lightyear? Let them explore outer space playing "Magic Elevator" at theatre class.

Does your fourth grader shut her door so she can belt “Tomorrow, tomorrow, I love you, tomorrow!” at the top of her lungs without eye rolls from her brother? (I was that kid. That was me.) At summer theatre camp, she'll be rewarded for singing loudly.

Is your teen aching to perform? Give her the opportunity to find the kids who share that passion at summer camp.

Everyone loves for their interests to be noticed.

Your student might also be super into Minecraft, or coding, or other digital activities. Their are so many cool hobbies for kids in Gen Alpha.


But there's a lot to be said for face-to-face, guided social activities like theatre that make kids feel like they're part of something bigger. ​

3) The experiences gained, and memories made, can literally last kids the rest of their lives.

Way back in 2012, when we were just starting Compass Creative Dramatics, we collected stories of folks from all different industries, of all ages, who could say "I did a play once!" And what we learned is that those experiences mattered. They shifted focuses, grew hearts, and altered life paths.

Theatre sticks with you. And the stories we collected are proof of that.

When a kid does theatre, it doesn't just stretch their bravery and their creativity. They exercise teamwork and expand their capacity for empathy, they learn to respect peers and non-peers, and through all that, they build their ability to trust and engage with adults and students alike.

If your child has attended one of our theatre camps or classes, you’ve probably seen that first-hand. And if your child hasn’t yet joined us—this is the year! Give your student the gift of art, of creativity, of collaboration, of experience.

It’s a gift they’ll remember all their life.

- Cathlyn
Register for Winter Theatre Classes
Register for Summer Theatre Camp
**Oh, you want more? Here are a few: physical activity, intellectual stimulation, arts exposure, critical thinking, teamwork and collaboration outside of their ordinary peer group, delayed gratification/an experience to look forward to, making new friends, reuniting with old friends, enjoying shared interests, expanding interests, encouraging healthy habits, increased confidence, unplugging for the week. Phew. Sure sounds like the perfect gift to me.

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Art and Your City

2/17/2018

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One of my favorite things about living in a big city is that you don’t have to look far to find someone trying to do good. Sometimes you'll find a Little Free Library, sometimes something as big as a foundation building or as small as a trash can full of collected litter, sometimes thought-provoking displays of art.

I love public art. The colors, the shapes, the accessibility, and the glimpse into someone else’s viewpoint.

On her instagram account, Chicago Mom Leyla Tran shares photos of public murals (along with her adorable son Luke). Search #lukeandwalls to see murals from across Chicago and beyond -- and check Luke’s favorites on Leyla's blog here.

Where have you seen public art in your own city?

- Cathlyn

Picture
A sparkling mosaic decorates an underpass along Lakeshore Drive in Edgewater.
(Compass Creative Dramatics photo)

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5 ways to support small businesses that don’t cost a nickel (and you can do right from your phone)!

11/24/2017

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By Cathlyn Melvin          ||           Community, Small Business, Holidays
updated 5/8/2019
On Monday we received an email from Emmaline Vu and LinkedIn letting us know that it's National Small Business Week. What? Who knew?

Now that we know (and you do, too) we challenge you to honor the more than 28 million small businesses in the United States (and so, so many more across the globe) by signal-boosting their products and services. It won't cost a thing, and it can mean so much to the individuals who are working hard to deliver those services and products!

Here are 5 ways to support small businesses that don’t cost a nickel (and you can do right from your phone)!


Follow your favorite small business on social media. 5 Ways to Support Small Businesses That Don't Cost a Nickel (and you can do right from your phone!)

Follow your favorite small businesses.

​Think of your top three favorite small businesses. Do you follow them on facebook? Instagram? Twitter? Snapchat? Pinterest? 
​What about your top five?

No?

Let's start there, then.

(No, no, go ahead. I can wait.)
What? You're not following us online?! (Lost Boy in
What? You're not following us online?
If you like it, comment and share! 5 Ways to Support Small Business That Don't Cost a Nickel (and you can do right from your phone)!

If you like it, comment and share!

​Okay. So now that you're connected, you're probably going to see some articles, photos, memes, or other stuff that you think is fun / inspirational / interesting / enlightening / et cetera.

​In other words, you like it. So here's what to do:
First: Like.

Next: Comment.

Then: Share.

This is the trifecta.


​Facebook, Instagram, and other platforms assess user interaction in order to choose which posts are worthy of being shown to wide audiences. When you like, comment, and share a post, your network is more likely to see it, increasing the post's reach across the entire platform. [source] Simply, put, if you like a post, other followers should get to see it, too! But if a post is met with crickets, no one will see it, even if you’re staring at your phone going, “O.M.Goodness. That is so, so true. lolz.”

So like it, comment on it, and then share it to your own page!​

A couple of pointers for when you click:

​When you share a post, add your own ideas. Voicing your opinion on a post is going to make it much more effective for your own followers than if you “blindly” share (by using the “share now” option or something similar).

If you’re a member of a group on facebook, share relevant posts to your groups as well as your personal page.

Is your favorite play cafe hosting an event? Share the post - with a note - to your parent meet-up facebook group.
​
If your gym is offering a membership special, share the post (yes, with a note) to your health-conscious or fitness facebook group.
When you share a post, include your own ideas | 5 Ways to Support Small Business That Don't Cost You a Nickel
Post to your favorite businesses' pages whenever you experience something good. 5 Ways to Support Small Businesses That Don't Cost a Nickel (and you can do right from your phone!)

Post to your favorite businesses' pages whenever you experience something good.

It doesn’t even have to be an experience using their products or services!
​If you:

- Saw an ad for their company that spoke to you,

- Observed a positive interaction with another customer, or

- Noticed an interesting new product, then:

Write them a note on their page (and share it back to your own page)!
When you have a positive experience with the business's staff or product, write them a review on their official review page (facebook, google, their own website review section). Include a photo (of you with the cupcake you enjoyed at their bakery, or paperback you bought at their bookstore, or just you wearing their branded gear)! People love pictures, and yours can tell a thousand words about your experience.
​
And then (I bet you can guess . . .) Share your review to your own social media pages!
Send a shout-out! 5 Ways to Support Small Businesses That Don't Cost a Nickel (and you can do right from your phone!)

Send a shout-out!

Choose a social media platform that your favorite business uses regularly.

Tag the business in a post encouraging your friends to follow them!

Be specific about what you love about the organization and what is great about following them on that platform. What kind of information do you get? Behind-the-scenes looks? Sneak peaks? Discounts?
Tag it! 5 Ways to Support Small Businesses That Don't Cost a Nickel (and you can do right from your phone!)

Tag it!

Tag your favorite businesses' "handles" in your posts about them. When our customers use "@ccdramatics" on a public post on instagram, facebook, or twitter, we receive a notification that we've been mentioned in a post, just like you would if you were personally tagged. Post with "@" tags are 56% more likely to receive likes, comments, and shares! Tagging us also helps keep us in the know about the conversations around our business, and just as importantly, allows other potential customers to easily click through that post to find our profile!

And while you're tagging . . .

Geo-tag your posts. Simply adding your favorite business’s location tag can increase engagement with you post by up to 79%. [source] Crazy, right? And the more folks that engage with your posts about your favorite businesses, the more folks with know about your favorite businesses, and the happier the world will be!

Also, hey, include businesses’ personalized hashtags! At Compass Creative Dramatics, we search #oneplayoneweek to follow along with our customers’ experience - and potential customers do, too. If you’re not sure if your favorite business has a personalized hashtag, just ask. They’ll be glad to let you in on it. I promise.

This National Small Business Week, set aside 15 minutes to engage with your favorite small businesses online. With your positive interactions, you'll help boost their visibility, their network, and, let's be real, you'll also boost their warm-and-fuzzy level every. single. time.

And, hey. It won't cost you a nickel.

Cathlyn
Student actors in a production of
Student actors in
Student actors in
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Why Small Business? Well, It's a Personal Question.

11/9/2017

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by Cathlyn Melvin      ||      Small Business, Entrepreneurs, Education, Community
updated 5/9/2019
It's National Small Business Week! What? you might wonder? What's that? What's so great about Small Business?
​

Well, it’s a personal question.

Back in 2012, Cassandra gave me a proposal (no, not that kind of proposal!): she said she wanted to start a children’s theatre, and asked if I would partner with her to help send week-long theatre experiences to kids across the country.

When we sat down to create our business plan, one area that tripped us up was our volume goal: how big, exactly, did we want our organization to get?

It took us a few years to iron it out, honestly. But I think we’ve gotten a good idea of how big we want to get. And the answer is:

Not very.

And it doesn’t have to do with revenue, and it doesn’t have to do with workload, and it doesn’t have to do with fame and fortune (ha!). The bottom line is, as a small business, we can serve our families and our sponsors better.
​

Here’s why.
Why small business? Small Business Saturday at Compass Creative Dramatics
She's trying to figure it out.

We’re the end of the line.
When we started this endeavor in 2012, it seemed simple. Past Cathlyn and Past Cassandra thought it would go like this: Write a play. Hire designers to create sets, props, costumes. Buy a van. Get the show on the road. Literally.
The
See, look at us all fresh-faced (and vacationing! what?!) in 2012,
​just 5 months before we began this business adventure.
Well, thanks to Past Cathlyn and Past Cassandra, Present Cathlyn and Present Cassandra are now wiser for the wear, and through insurance, taxes, marketing, coding, plug-ins, spreadsheets, et cetera et cetera et cetera, one thing has stayed the same: because Compass Creative Dramatics reflects our goals, our views, and our aspirations, because we don’t answer to an executive committee or a governing board, we are able to be relentless in our goal to serve as many students the highest-quality theatre education that we possibly can.

That means that if there is any way we can make something happen for you, we will, because we are the decision-makers. End. Of. Story.

​Well, maybe there is a little more story, because:
Being small means we can be flexible.
Our larger competitors in the market have established systems in place that force them into more rigidity than we want our program sponsors to experience. Cassandra and I both take pleasure in problem-solving and finding creative solutions. We pore over feedback from families and program sponsors, and regularly make adjustments to our processes, whether that’s with regard to curriculum, registration, material provisions, anything. If there is something that will make your experience better, we’re eager to have a real live conversation about it and brainstorm how we can make it happen. Sometimes we can, sometimes we can’t -- but this flexibility encourages creative problem-solving, allowing us to continually improve our service.
Quote: We regularly make adjustments to our curriculum, registration, materials, anything. Why Small Business? Small Business Saturday at Compass Creative Dramatics
Earlier this year, we worked with St. Andrew the Apostle School in Romeoville, Illinois for the very first time. Margaret, the school’s PTO volunteer, and Carol, the principal, were enthusiastic about offering the program because with the pressures of curriculum, their students (preK-8) don’t have much of an opportunity to explore public speaking and presentation in the classroom.
​

Leading up to their residency, we spent time on the phone kicking around ideas about the different options for programming, boosting enrollment, scheduling, and anything else that Margaret wondered about. “I appreciate that you always responded to emails and phone calls,” Margaret shared with us in her end-of-program survey, “and that you were always willing to schedule dedicated time for discussion. Organizing a program like this, no matter how small, brings a lot of questions!”

We totally get that -- and we want to make sure your questions all get answered! So like Margaret said, we’re totally willing to schedule time that’s just for you to ask your questions, and for us to brainstorm the best way to serve your community. It’s this adaptability that allows us to make theatre programming more accessible to organizations and individual students year by year.
Children learn dance moves from instructors David Smith and Cathlyn Melvin during theatre camp, Why Small Business? Small Business Saturday at Compass Creative Dramatics
Put your hands in the air and wave 'em like you really care about good customer service!
Being small means we can afford to be picky.
We’re picky about our theatrical designers, our musicians, the words we use in our emails, the articles and photos we post on facebook and instagram . . . you get it.

Because we’re not trying to assembly-line our process, we have the ability to take our time and make sure that we are choosing just the right artist, just the right material, just the right image.
​

Every detail is important to us, so you won’t see us making any decisions lightly.
Small = Gritty. Small = Spunky. Small = Up-and-Coming.
We work with some of the best artists in Chicago and around the country who are developing their own businesses in set design, musical composition, and costume construction. They are determined, they are tenacious, and they are dedicated to giving us (and, as a result, our families and program sponsors) the best work possible. Because they, too, are their own small businesses, all of the qualities that describe us also apply to them and to their work:
​

They’re flexible. They’re picky. And it’s personal.
Elementary school students in Chicago goof around backstage before a performance of The Princess & The Pea with Compass Creative Dramatics
Spunk is contagious.
To us, this is personal.
We have students who have been with us since year one or year two, who have performed in a Compass Creative Dramatics play every year since we began producing them. And we look at those kids, and we think, man, how did they get to be high schoolers? Wasn’t it last year they were just nine years old?

And then we also look at those kids and think, man, remember when they were nine? Whoa, that was a zillion years ago.

We kind of look at our organization the same way. It was just seven years ago that Cassandra and I applied for legal help to officially file Compass Creative Dramatics with the State of Illinois. Just seven years ago that we opened a Compass Creative Dramatics checking account. Just seven years since we wrote our very first Compass Creative Dramatics play, Peas & Harmony: The Princess & The Pea (Remixed).

(It’s a good one.)

But it also feels like we’ve been doing this for a lifetime. The connections we’ve built, the relationships we’ve made . . . thinking back on those elements, this experience feels timeless.

This thing, we built it. And that means we’re personally invested in its success. We make personal sacrifices to ensure that our students are getting the education they deserve, and that our program sponsors are getting the support they need to help us make that happen. We’re not working for an organization; we’re not punching a clock. When we go to work each day, it’s because our students matter to us. Our program sponsors matter to us. Our mission and our work matter to us. We are personally inspired to better serve students across the country each and every day.

And each and every day, we are able to serve them better.

Because we are small.

​- Cathlyn
A student in Columbus, Wisconsin poses, wearing her Wizard of Oz t-shirt, with teachers Cathlyn Melvin and Cassandra Quinn, who hold the pineapples they received as teacher gifts.
Thank you so much for your students, your energy, your business (and also these pineapples).

For more information on Small Business Saturday, please visit www.americanexpress.com/us/small-business/shop-small/
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3 Children's Shows to Check Out During Chicago Theatre Week

1/9/2015

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By Cathlyn Melvin          ||          Family Fun, Arts Scene
Two weeks from now, we'll be starting our Spring Tour of 2015, including residencies in and around Chicago, as well as our Spring Break Script Development Camps in Waukegan, IL and Sheboygan, WI!

Oh, and did I mention that January through May is  prime Summer Camp Prep Season? I didn't? Well, it's true. We're organizing your registrations, ordering your summer camp swag, completing our costume build, printing backdrops, and all sorts of good stuff. We're busy busy busy.

But like JJ, a camper in Wisconsin, told us, "It's gonna be super hard to wait for the next play!" So. To help pass the time until summer camp, here are three productions you can check out during Chicago Theatre Week, February 12th - 22nd.
Children's Theatre Chicago
1) Lions in Illyria at Lifeline Theatre

Lions in Illyria is a brand-new adaptation of Twelfth Night, a play by William Shakespeare (you might remember him from a workshop at Summer Camp 2013!). It's a World Premiere, which means that this is the first time anyone has put on this play anywhere in the world.

In Lions in Illyria, a young lioness named Violet is separated from her brother by a storm at sea. All alone, she disguises herself as a boy lion, and joins up with a peacock on a quest to claim the attentions of the most graceful gazelle in town. But soon Violet is torn between multiple masters and her adventure takes a turn for the absurd when she becomes entangled in the clownish antics of a wacky warthog and his featherbrained dodo sidekick. Travel to the weird and wonderful land of Illyria in a magical comedy loaded with music, monkeys, and mayhem.

To order $10 Theatre Week tickets, visit Lifeline's online box office, pick your dates, and use the code THWEEK when purchasing. Lions in Illyria is recommended for students age 5 and up (children under 2 not admitted).
Children's Theatre Chicago
2) The Selfish Giant at Chicago Children's Theatre

The Selfish Giant is a musical (with puppets!) based on a story written by a man named Oscar Wilde, who wrote stories, plays, and poems. In this story, a  giant tells children that they aren't allowed to play in his garden. After the children are locked out, the trees and flowers stop growing and everything in the garden freezes. Just like in the movie Frozen, everything turns to winter. Then one morning, the children sneak back into the garden, and their joy brings springtime back to the garden.

You can order $15 Theatre Week tickets to this production by calling Chicago Children's Theatre at 872-222-9555. The Selfish Giant is suitable for all ages.
Children's Theatre Chicago
3) Symphony of Clouds at DePaul Theatre School

Follow the adventures and joyful milestones in the life of young Wolfgang Amadeus Mozart: boy genius, musical prodigy, and gifted composer. Discover how nature inspires and impacts Mozart, and how his family faces the acclaim, fame, trials, and tribulations of his early creative life in this story infused with music, dance, and a bit of magic. 

Order your $5 Theatre Week Tickets to Symphony of Clouds by calling 312-922-1999. Symphony of Clouds is suitable for all ages.
Children's Theatre Chicago
(L to R) ) Kate McDermott as Olivia and Brandi Lee as Violet in Lions in Illyria, running through  February 15, 2015 at Lifeline Theatre. Photo by Suzanne Plunkett.
And, hey, if you're one of our students who lives outside of Chicagoland, don't worry! There are plenty of experiences for you to check out in your own neck of the woods over the next few weeks!

If you're in Lawrence County, Indiana, make a visit to The Little Theater of Bedford for their production of The Sound of Music, or take a trip to Bloomington for IU's production of Romeo & Juliet (have your parents talk to the folks at IU to make sure that this one is age-appropriate for you!).

For our Southeastern Wisconsin students, catch Peter Pan Jr. at Theatre For Young Audiences before it closes on January 25th! If Mom and Dad are up for a road trip, head down to First Stage in Milwaukee to see Stargirl (suitable for ages 10+).

Can't make it to any of these great shows? That's okay! Celebrate Theatre Week by writing a short play, acting out a favorite story, or reading a play out loud with friends! Go ahead and stretch those creativity muscles, and let us know:

How are you going to celebrate Theatre Week 2015?

- Cathlyn
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The Stories Behind the Statistics

12/4/2014

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By Cathlyn Melvin          ||          Education, Community
The original publication of this blog was distributed on January 4th, 2013, by Americans for the Arts.
2012 was a big year for Compass Creative Dramatics.

In fact, it was the first year for Compass Creative Dramatics. That spring, Cassandra approached me with an idea: to bring immersive theatre programming to schools and organizations across the country. Would I join her, she asked.

Of course I would.

That summer, we wrote a script. We developed a business plan. We contacted designers and educators and business consultants and performance spaces, utilizing every connection we had to get our programming off the page and into kids’ hands and brains – the places where this company comes to life.

In the fall, we worked with our first group of Compass Creative Dramatics students - eight kids joined us for a script development workshop in Evanston. Several of the students had never been in a play before. A couple were old pros, recalling memories of school plays and acting classes they had taken at various theatre companies across Chicago.
Picture
The following summer, several of those students joined us again, this time to perform a full production of “Peas & Harmony: The Princess & The Pea (Remixed)”.  

And this time, it was our own stories we heard them telling.

“When we did this last time . . .”

“Do you remember when . . .”

“My favorite part was . . .”

As our summer campers chatted together about past experiences, Compass Creative Dramatics became part of those memories. And that’s great to hear.

See, Cassandra and I don’t focus on readying kids for careers in theatre, and we won’t “Make Your Child a Star.” We concentrate on stretching kids creativity and bravery muscles – so they can be bold enough to raise their hands in class, or imaginative enough to problem-solve in real life. And over the course of a week-long program, we see those skills develop, and we witness those memories taking shape, so that some day, they’ll want to tell those stories.
Picture
“I was in a play once!”

I’m standing in line at a bookstore in my neighborhood, and the woman behind me is telling me her story. She recognized me from a show I did the previous season, and her eyes light up as she tells me about her high school musical—how she almost didn’t audition, but in the end, it turned out to be the best eight weeks she had that year.

As an actor, I get that all the time. Not the being-recognized-on-the-street thing. That’s unusual. But when people find out I do theatre, so often I see their eyes brighten just like that lady’s, and they tell me about their third grade play, or an annual Christmas pageant, or being in the kids’ chorus of Joseph at their community theatre.

I love these stories.

Fall 2012. Still in the infancy of our company, Cassandra and I decided to take on another project: we started a campaign to collect people’s memories about participation in theatre, and how it affected them. We posted on YouTube asking for video responses, and watched the stories begin to trickle in, both through responses to our YouTube channel and through essays submitted through our email:
As active leaders in school communities, arts educators witness the development of students through programs like the residency we offer at Compass Creative Dramatics.

We interact with other artists who share our opinions, our passions, and our stories. Existing in this cocoon, it’s easy to forget that there are others in the world for whom the importance of art in education is not a foregone conclusion. There are people who don’t see that there is inherent value in what we do—and so we evangelize.

We’re constantly striving to spread the word that the arts are vital to child development, and to the development of our society. We push statistics—because that’s the language of administrators and policymakers.
Picture
But even administrators and policymakers aren’t only convinced by hard facts—by numbers and graphs and formulas. Those figures may help a person wrap their head around why what we do is so important, but numbers don’t tell the whole story.

​Rarely do we meet the faces behind the statistics—the doctor, the mom, the cab driver whose story has been enriched by participation in the arts. It’s those personal stories that help people connect to the work we’re doing. And it’s that connection that paves the way to comprehension.


Through our response project, the faceless statistics were given shape, names, and personalities:

Leona in Georgia described how doing theatre at school has taught her daughter that it’s cool to be who you are, and has helped develop her sense of self.

Marilyn in Arizona explained that high school theatre helped her cope with her mother’s death.

Robert in Illinois shared how a chance encounter with a theatre teacher guided him away from a relationship with a schoolmate who later ended up in prison for murder.

Shqipron in Wisconsin told us how being in a play shortly after he moved to the States helped him learn to speak English, and how to interact with his fellow high school freshmen.
Quote: Even administrators and policymakers aren't only convinced by hard facts.
The dozens of stories we received over the course of our 30-day project rang truer than any statistics could, and they reminded us of why we started this company in the first place: to lead by example, guiding kids’ toward healthy, happy, fulfilling lives.

Fast forward five years: It’s fall of 2017 now (well, fine, winter). We’ve successfully completed five unfathomably awesome summer camp seasons. We’ve worked thousands of students in dozens of cities across 16 states through our theatre camps and community residencies. 

But the best measure of our success are those stories that our students, their parents, their teachers, and their administrators tell.

In the years to come, we look forward to encouraging countless students to create memories they’ll reflect on, standing in line at a bookstore, or sitting at a coffee shop, or with their families later in life. I hope that in the end, they’ll have many stories to tell.


- Cathlyn
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